| User/Date | Review/Comment |
2008.08.01
Mark Thomas
|
No EQ or compression used when I record the symphony, just good mics and pre's and a little sweat as the cymbel crashes. |
2008.07.31
mhmproductions
|
I'm jealous! Do you use any EQ or Compression during the recording? If so what are your compression ratios? You're live work always blows me away! Awesome job Mark! Cheers ~mhm |
2007.05.21
FROZENBONES
|
always good to hear from ya Mark. I like reading what you actually used to capture this, it sounds very good man. It probably is a never ending scheme setting up specific enviroments of sound to specific clients, heh? Hope all is well mate and if we evr |
2007.04.30
Nocturn
|
I'm still impressed of the accurated sound of this recording! really good work!
I think is very important the 88.2k/24bit you use to record it. |
2007.04.28
Nocturn
|
I really like your tunes!thats a inspiration to me! by the way, I up loaded a lot of my tunes, I hope you give your opinion about them! |
2007.04.25
Nocturn
|
You can hear my new song please! |
2007.03.22
FJM
|
You are right Mark... It's the director's call... I guess I am so used to be the director in my music, because I play most of the things... I forgot the Director, and you don't want to make him feel ignored ;-)... after all he's is THE |
2007.03.22
Mark Thomas
|
Thanks for your perspective, Frank. I did not have mics close to the strings, just "area" mics as described below. "Section" mics would allow for the mix adjustment you suggest. I understand what you are hearing, but it is a |
2007.03.22
FJM
|
Setting that up must have been very cool... Thanks for the technical tips.. re the mix there are some passages where the string section is overpowered by the brass and perc section... If you had some mics closed to the strings you may want to push those f |
2007.03.22
Mark Thomas
|
Thanks guys! I record this symphony with six mics, three pairs. First pair are the house mics hanging above the orchestra, Shure MX202 omnidirectional mics spaced about 30ft. apart. Second pair are AT4033a cardioid mics in XY at the front of s |
2007.03.21
FJM
|
Hey Mark,
Nice job here mate! Nothing beats the dynamic range of a Symphonic Orchestra... How did you record this? |
2007.03.21
Al Stravinsky
|
I was just thinking how did you sequence all that when I read the blurb... scared me to death for a moment! Nice work Mark. How do you go about recording something as large as a symphony orchestra? How many tracks? And it sounds remarkably dry for an audi |
2007.03.15
Gavin McGowen
|
Wow! That's definitely professional. Sounds phenomenal!!! |
